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  Praise for Jonathan Strange & Mr Norrell

  “Combining folklore and fantasy with horror-story imagination, [Clarke] creates a Napoleonic-era England alive with the promise—and danger—of uncontrollable forces . . . Clarke’s sober style keeps the fantasy grounded, and meticulous historical research brings the magical episodes to terrifying life.” —People (Critic’s choice, four stars)

  “What kind of magic can make an 800-page novel seem too short? Whatever it is, debut author Susanna Clarke is possessed by it.” —USA Today

  “Clarke’s imagination is prodigious, her pacing is masterly and she knows how to employ dry humor in the service of majesty.” —The New York Times

  “Immense, intelligent, inventive . . . Clarke is a restrained and witty writer with an arch and eminently readable style.” —Entertainment Weekly

  “Over the course of nearly 800 pages Clarke channels the world of Jane Austen, the Gothic tale, the Silver-Fork Society novel, military adventure a la Bernard Sharpe or Patrick O’Brian, romantic Byronism and Walter Scott’s passion for the heroic Northern past. She orchestrates all these fictive elements consummately well. . . Many books are to be read, some are to be studied, and a few are meant to be lived in for weeks. Jonathan Strange & Mr. Norrell is of this last kind.” —The Washington Post

  “The most sparkling literary debut of the year.” —Salon

  “Here is a writer who remembers that true fairy tales carry a sting and the creatures themselves were never properly domesticated to the nursery. Her uncanny book is an object lesson in the pleasures—and risks—of enchantment.” —Village Voice

  “A terrific, phenomenally ambitious book . . . Gorgeous.” —The Onion

  “Witty dialogue, cunning observations and intriguing footnotes . . . [A] sweeping adventure full of telling details, mixing history and fantasy to create worlds of deep imagination that seem as real as our own.” —San Francisco Chronicle

  “Utterly enchanting. [Clarke’s] union of historical fiction and fantasy is fresh, it is surprising, and it will appeal to those who want nothing more than to be carried away to a world crafted by a superb storyteller.” —Denver Post

  “Extraordinary ...If Harry Potter is the kind of book that makes you want to be a kid again, Jonathan Strange & Mr Norrell is the kind of novel that will remind you that being an adult should be a whole lot more fun.” —Atlanta Journal-Constitution

  “This 800-page work of fantasy—think Harry Potter sprinkled with the dust of Tolkien and Alasdair Gray—posits an extraordinary alternative history of England where magic, fairies, spirits and enchantments were once part of everyday life . . . This incredible work of the imagination, which took Clarke more than 10 years to write, ends all too soon.” —New York Post (four stars)

  “Combines the wit of Jane Austen with the subterranean spookiness of the works of Arthur Conan Doyle.” —Seattle Times

  “An enthralling, unique read.” —The Baltimore Sun

  “While Jonathan Strange is every bit as whimsical and playful as the Harry Potter books, it is also grave and upsetting, the very opposite of comforting children’s entertainment . . . Clarke has delivered a book of universal truths and unexpectedly heartbreaking acuity.” —Star-Telegram (Fort-Worth)

  “Mesmerizing.” —Harper’s Bazaar

  JONATHAN STRANGE & Mr NORRELL

  Susanna Clarke

  Illustrations by Portia Rosenberg

  In memory of my brother,

  Paul Frederick Gunn Clarke, 1961–2000

  Contents

  Preface

  Volume I: Mr Norrell

  1 The library at Hurtfew

  2 The Old Starre Inn

  3 The stones of York

  4 The Friends of English Magic

  5 Drawlight

  6 “Magic is not respectable, sir.”

  7 An opportunity unlikely to occur again

  8 A gentleman with thistle-down hair

  9 Lady Pole

  10 The difficulty of finding employment for a magician

  11 Brest

  12 The Spirit of English Magic urges Mr Norrell to the Aid of Britannia

  13 The magician of Threadneedle-street

  14 Heart-break Farm

  15 “How is Lady Pole?”

  16 Lost-hope

  17 The unaccountable appearance of twenty-five guineas

  18 Sir Walter consults gentlemen in several professions

  19 The Peep-O’Day-Boys

  20 The unlikely milliner

  21 The cards of Marseilles

  22 The Knight of Wands

  Volume II: Jonathan Strange

  23 The Shadow House

  24 Another magician

  25 The education of a magician

  26 Orb, crown and sceptre

  27 The magician’s wife

  28 The Duke of Roxburghe’s library

  29 At the house of José Estoril

  30 The book of Robert Findhelm

  31 Seventeen dead Neapolitans

  32 The King

  33 Place the moon at my eyes

  34 On the edge of the desert

  35 The Nottinghamshire gentleman

  36 All the mirrors of the world

  37 The Cinque Dragownes

  38 From The Edinburgh Review

  39 The two magicians

  40 “Depend upon it; there is no such place.”

  41 Starecross

  42 Strange decides to write a book

  43 The curious adventure of Mr Hyde

  44 Arabella

  Volume III: John Uskglass

  45 Prologue to The History and Practice of English Magic

  46 “The sky spoke to me …”

  47 “A black lad and a blue fella – that ought to mean summat.”

  48 The Engravings

  49 Wildness and madness

  50 The History and Practice of English Magic

  51 A family by the name of Greysteel

  52 The old lady of Cannaregio

  53 A little dead grey mouse

  54 A little box, the colour of heartache

  55 The second shall see his dearest possession in his enemy’s hand

  56 The Black Tower

  57 The Black Letters

  58 Henry Woodhope pays a visit

  59 Leucrocuta, the Wolf of the Evening

  60 Tempest and lies

  61 Tree speaks to Stone; Stone speaks to Water

  62 I came to them in a cry that broke the silence of a winter wood

  63 The first shall bury his heart in a dark wood beneath the snow, yet still feel its ache

  64 Two versions of Lady Pole

  65 The ashes, the pearls, the counterpane and the kiss

  66 Jonathan Strange and Mr Norrell

  67 The hawthorn tree

  68 “Yes.”

  69 Strangites and Norrellites

  Acknowledgements

  Notes

  A Note on the Author

  By the Same Author

  Preface

  It is January and I am arriving at an English country house in Yorkshire. Fog and rain shroud the park. The interior is a dim labyrinth of splendid but desolate rooms, full of winter shadows and echoing footsteps.

  It is everything that pleases me best: the perfect setting for a pseudo-nineteenth-century novel.

  The phone conversations about a possible television series of Jonathan Strange and Mr Norrell stretch back years, but now that the moment has come, now that I am actually here at Wentworth Woodhouse, I lose my bearings. It is not just the scale of the thing that is unnerving. (Look at that positive battalion of lorries drawn up in front of the house – perhaps I should find someone and apologise for all the trouble?) Nor is
it simply the sense of other-worldliness, of reality out of joint with itself – I imagine all film sets have something of that quality. (Look at the miles of electrical cable that wind up and down stone staircases and disappear, serpent-like, into the darkness of one of a hundred nameless rooms.) No, what I find most bewildering are the people with early-nineteenth-century hairstyles and early-nineteenth-century clothes. I suppose I ought to have expected them and it’s not that there are so many really, not in comparison with the film crew.

  But nothing, I find, has prepared me for the sight of my own characters walking about. A playwright or screenwriter must expect it; a novelist doesn’t and naturally concludes that she has gone mad. (What do they need so many umbrellas for? Don’t they realise that they are imaginary?)

  In the part of Wentworth Woodhouse that is currently standing in for the House of Commons, Sir Walter Pole smiles and saunters over to speak to me. In a ballroom of immense magnificence Lady Pole and Mrs Strange perform a dance of their own invention; it is both graceful and funny. (Later someone will give me a photograph of it.) Stephen Black looks grave and self-possessed and keeps to the shadows. Childermass – in straightforward Yorkshire fashion – shows me his tarot cards and lets me hold them for a moment: they feel warm and pleasantly rough in the hand. Out of the assembled ranks of fairy dancers the gentleman with the thistle-down hair gives me a friendly wave. (This last, I am willing to admit, is not the least in character.)

  The two people I do not meet – slightly to my relief – are Jonathan Strange and Gilbert Norrell. I know that I do not meet them because the defining characteristics of Strange and Norrell are arrogance and self-regard. (I am sorry to have to say this about people I am related to but it is true.) The people I meet in their place – Bertie Carvel and Eddie Marsan – are nothing of the sort, being warm and delightful.

  A month or so later and we are gathered in York outside the Minster. People are walking home from work, driving their cars through the city centre, eating in restaurants. Everything is quite as normal. Except that in just the one spot – before the great West Front—a snowstorm is blowing; and battling their way through it is a covey of black-coated magicians in three-cornered hats with lanterns in their hands. Mr Norrell is about to do magic in York Minster again. People stop and stare. In the middle of twenty-first-century York on an ordinary weekday evening there is suddenly a strange little bubble of nineteenth-century-England-that-never-was.

  The next day I am walking with a friend outside the Minster. I look down and see some faint white traces in the cracks between the paving stones.

  “Oh, look,” I say. “This is my snow.”

  Susanna Clarke

  November, 2014

  Volume I

  Mr Norrell

  He hardly ever spoke of magic, and when he

  did it was like a history lesson and no one

  could bear to listen to him.

  1

  The library at Hurtfew

  Autumn 1806–January 1807

  Some years ago there was in the city of York a society of magicians. They met upon the third Wednesday of every month and read each other long, dull papers upon the history of English magic.

  They were gentleman-magicians, which is to say they had never harmed any one by magic – nor ever done any one the slightest good. In fact, to own the truth, not one of these magicians had ever cast the smallest spell, nor by magic caused one leaf to tremble upon a tree, made one mote of dust to alter its course or changed a single hair upon any one’s head. But, with this one minor reservation, they enjoyed a reputation as some of the wisest and most magical gentlemen in Yorkshire.

  A great magician has said of his profession that its practitioners “… must pound and rack their brains to make the least learning go in, but quarrelling always comes very naturally to them,”1 and the York magicians had proved the truth of this for a number of years.

  In the autumn of 1806 they received an addition in a gentleman called John Segundus. At the first meeting that he attended Mr Segundus rose and addressed the society. He began by complimenting the gentlemen upon their distinguished history; he listed the many celebrated magicians and historians that had at one time or another belonged to the York society. He hinted that it had been no small inducement to him in coming to York to know of the existence of such a society. Northern magicians, he reminded his audience, had always been better respected than southern ones. Mr Segundus said that he had studied magic for many years and knew the histories of all the great magicians of long ago. He read the new publications upon the subject and had even made a modest contribution to their number, but recently he had begun to wonder why the great feats of magic that he read about remained on the pages of his book and were no longer seen in the street or written about in the newspapers. Mr Segundus wished to know, he said, why modern magicians were unable to work the magic they wrote about. In short, he wished to know why there was no more magic done in England.

  It was the most commonplace question in the world. It was the question which, sooner or later, every child in the kingdom asks his governess or his schoolmaster or his parent. Yet the learned members of the York society did not at all like hearing it asked and the reason was this: they were no more able to answer it than any one else.

  The President of the York society (whose name was Dr Foxcastle) turned to John Segundus and explained that the question was a wrong one. “It presupposes that magicians have some sort of duty to do magic – which is clearly nonsense. You would not, I imagine, suggest that it is the task of botanists to devise more flowers? Or that astronomers should labour to rearrange the stars? Magicians, Mr Segundus, study magic which was done long ago. Why should any one expect more?”

  An elderly gentleman with faint blue eyes and faintly-coloured clothes (called either Hart or Hunt – Mr Segundus could never quite catch the name) faintly said that it did not matter in the least whether any body expected it or not. A gentleman could not do magic. Magic was what street sorcerers pretended to do in order to rob children of their pennies. Magic (in the practical sense) was much fallen off. It had low connexions. It was the bosom companion of unshaven faces, gypsies, house-breakers; the frequenter of dingy rooms with dirty yellow curtains. Oh no! A gentleman could not do magic. A gentleman might study the history of magic (nothing could be nobler) but he could not do any. The elderly gentleman looked with faint, fatherly eyes at Mr Segundus and said that he hoped Mr Segundus had not been trying to cast spells.

  Mr Segundus blushed.

  But the famous magician’s maxim held true: two magicians – in this case Dr Foxcastle and Mr Hunt or Hart – could not agree without two more thinking the exact opposite. Several of the gentlemen began to discover that they were entirely of Mr Segundus’s opinion and that no question in all of magical scholarship could be so important as this one. Chief among Mr Segundus’s supporters was a gentleman called Honeyfoot, a pleasant, friendly sort of man of fifty-five, with a red face and grey hair. As the exchanges became more bitter and Dr Foxcastle grew in sarcasm towards Mr Segundus, Mr Honeyfoot turned to him several times and whispered such comfort as, “Do not mind them, sir. I am entirely of your opinion;” and “You are quite right, sir, do not let them sway you;” and “You have hit upon it! Indeed you have, sir! It was the want of the right question which held us back before. Now that you are come we shall do great things.”

  Such kind words as these did not fail to find a grateful listener in John Segundus, whose shock shewed clearly in his face. “I fear that I have made myself disagreeable,” he whispered to Mr Honeyfoot. “That was not my intention. I had hoped for these gentlemen’s good opinion.”

  At first Mr Segundus was inclined to be downcast but a particularly spiteful outburst from Dr Foxcastle roused him to a little indignation. “That gentleman,” said Dr Foxcastle, fixing Mr Segundus with a cold stare, “seems determined that we should share in the unhappy fate of the Society of Manchester Magicians!”

  Mr Segundus incline
d his head towards Mr Honeyfoot and said, “I had not expected to find the magicians of Yorkshire quite so obstinate. If magic does not have friends in Yorkshire where may we find them?”

  Mr Honeyfoot’s kindness to Mr Segundus did not end with that evening. He invited Mr Segundus to his house in High-Petergate to eat a good dinner in company with Mrs Honeyfoot and her three pretty daughters, which Mr Segundus, who was a single gentleman and not rich, was glad to do. After dinner Miss Honeyfoot played the pianoforte and Miss Jane sang in Italian. The next day Mrs Honeyfoot told her husband that John Segundus was exactly what a gentleman should be, but she feared he would never profit by it for it was not the fashion to be modest and quiet and kind-hearted.

  The intimacy between the two gentlemen advanced very rapidly. Soon Mr Segundus was spending two or three evenings out of every seven at the house in High-Petergate. Once there was quite a crowd of young people present which naturally led to dancing. It was all very delightful but often Mr Honeyfoot and Mr Segundus would slip away to discuss the one thing which really interested both of them – why was there no more magic done in England? But talk as they would (often till two or three in the morning) they came no nearer to an answer; and perhaps this was not so very remarkable, for all sorts of magicians and antiquarians and scholars had been asking the same question for rather more than two hundred years.

  Mr Honeyfoot was a tall, cheerful, smiling gentleman with a great deal of energy, who always liked to be doing or planning something, rarely thinking to inquire whether that something were to the purpose. The present task put him very much in mind of the great mediaeval magicians,2 who, whenever they had some seemingly impossible problem to solve, would ride away for a year and a day with only a fairy-servant or two to guide them and at the end of this time never failed to find the answer. Mr Honeyfoot told Mr Segundus that in his opinion they could not do better than emulate these great men, some of whom had gone to the most retired parts of England and Scotland and Ireland (where magic was strongest) while others had ridden out of this world entirely and no one nowadays was quite clear about where they had gone or what they had done when they got there. Mr Honeyfoot did not propose going quite so far – indeed he did not wish to go far at all because it was winter and the roads were very shocking. Nevertheless he was strongly persuaded that they should go somewhere and consult someone. He told Mr Segundus that he thought they were both growing stale; the advantage of a fresh opinion would be immense. But no destination, no object presented itself. Mr Honeyfoot was in despair: and then he thought of the other magician.